Babygirl (2024)

Babygirl (2024) Review: Nicole Kidman Unleashes Desire in a Toxic Power Play

In Babygirl (2024), Nicole Kidman takes on the role of Romy Mathis, a successful CEO caught in the whirlwind of an illicit affair with her intern. Directed by Halina Reijn, the film offers a provocative exploration of sexual power dynamics and self-discovery, all while questioning the traditional boundaries of workplace relationships. But does it go too far in its pursuit of carnal intrigue?

A Corporate CEO’s Double Life

Romy has everything: a glamorous career as the CEO of a warehouse automation company, a loving husband (Antonio Banderas), two children, and a luxurious lifestyle. Yet, behind her polished exterior lies a woman craving something more. Enter Samuel (Harris Dickinson), the charismatic and confident intern who quickly becomes the object of her desires. What starts as a mentoring relationship soon turns into a torrid affair, laced with dominance and submission.

The film begins boldly with an orgasm, setting the tone for what’s to come. It’s an exploration of lust and need, with Kidman’s performance adding a layer of vulnerability as Romy grapples with her own desires. The film’s candid portrayal of sexual awakening and its effects on both personal and professional life is both captivating and unsettling.

An Affair of Power and Pleasure

As Romy and Samuel dive into their affair, the power dynamics shift, blurring the lines between professional and personal boundaries. What begins as a thrilling and indulgent journey soon turns toxic, as Samuel begins to gain control over Romy, exploiting his position of power to manipulate her. The chemistry between the two is electric, yet the relationship is built on a precarious foundation that leaves both of them questioning their choices.

In one of the film’s most iconic moments, Samuel tenderly lifts Romy in his arms, setting the tone for the emotional complexity of their connection. The sensual scenes are raw and unrestrained, but it’s the moments of tenderness and vulnerability that linger the longest.

A Film of Contradictions

While Babygirl is filled with compelling and often uncomfortable moments, it also feels like an exploration of contradictions. Romy is a woman who has everything but feels trapped by the expectations placed on her as both a CEO and a mother. Her affair with Samuel is not just about desire; it’s about reclaiming agency and discovering what truly makes her feel alive. The generational divide between the lovers adds another layer of complexity, as Samuel’s youthful confidence contrasts sharply with Romy’s seasoned experience.

However, Babygirl doesn’t delve into the consequences of this affair as deeply as one might expect. There’s no moral condemnation or deep exploration of the fallout from such an affair in the workplace. Instead, it’s an unabashed exploration of indulgence and the thrill of stepping outside one’s comfort zone.

Not Your Typical Erotic Thriller

Unlike traditional erotic thrillers, Babygirl doesn’t rely on overt moral judgments or a tidy resolution. It’s not a romance, nor is it a cautionary tale; rather, it’s a self-discovery story where the protagonist comes to terms with her desires in a liberating yet messy journey. The film takes risks, offering a bold portrayal of female sexual empowerment that feels both raw and exhilarating.

Despite its indulgence in eroticism and power struggles, Babygirl ultimately asks the question: What happens when we allow ourselves to embrace our deepest desires, regardless of the consequences?

Conclusion: A Captivating Dive into Desire and Power

In the end, Babygirl is a striking film that captures the complexity of female desire and the tumultuous path of self-empowerment. Kidman’s standout performance anchors a story that’s both provocative and unsettling, offering viewers a glimpse into a world where pleasure and power collide in unexpected ways. While the film may not provide all the answers, it certainly leaves an impression long after the credits roll.